Review: Hameshaa

Hameshaa
Stars: Saif Ali Khan, Kajol, Aditya Pancholi
Directed by: Sanjay Gupta
Released: September 12, 1997

Childhood friends Raja (Ali Kha) and Yash (Pancholi) come from two very different back grounds. Yash is very wealthy, and Raja is poor. This, however, does not stop them from growing up thick as thieves and close as brothers. Hameshaa opens with them racing each other in what seems like a very dangerous setting. The friends, however, simply laugh it off and begin talking about who they would choose if they had to – each other, or the girl of their dreams. Enter Rani Sharma (Kajol), a beautiful young woman in a neela dupatta peela suit (arguably the best, most upbeat song from the movie despite the laughable choreography. But, hey, it was 90s Bollywood). Soon after, Yash too encounters Rani and is also completely in love with her beauty and charms and finds it impossible not to fall in love with her.

Both men are quick to find each other and express their hearts’ desires, neither of them realizing that they are in fact speaking about the same woman. When Yash, however, finds out that the woman he so desperately wants has given her heart to his best friend, he becomes… a tad bit unhinged. He poses to Raja the same question they discussed when we first saw them – friends or the perfect girl? Much to Rani’s horror, Yash pushes Raja over the edge of a cliff and she joins him despite earnest efforts from Yash.

Years later Yash is an older and bitter man living with his Dai Ma and as fate would have it, he stumbles upon Raju and Reshma – both bearing an uncanny resemblance to Raja and Rani respectively. Not about to lose what he considers to be the love of his life a second time, he begins working hard to keep the two of them apart. Does true love always prevail? Well, you’ll just have to find out!

I truly love how Kajol can look great with any – and I mean any – Khan. She and Shahrukh are one of if not the most popular and charismatic couple in the history of Indian cinema, their jodi bringing many fans young and old to the cinema to watch their magic unfold on screen. Then she acted with Salman Khan and proved to have chemistry with him as well in their small parts of Kuch Kuch Hota Hai and the cute movie Pyaar Kiya To Darna Kya. And of course who could possibly forget the tangible love that she and Aamir Khan portrayed during Fanaa. That covers the three major Khans, right? Well this film proves that she and Saif are pure pyaar, even more than her and Shahrukh in the majority of their films together, in my opinion.

            

As far as their acting goes, Kajol does what she is famous (or infamous, depending on who you ask) for and takes the emotion to the next level. Her expressions during songs are equally adorable and hilarious. The song Aisa Milan Kal Ho Na gives her a chance to prove just how sensual she can be. This film is nothing difficult and doesn’t require top notch acting and therefore natural talents such as Kajol and Saif Ali Khan pull it off with little effort on their parts. Aditya Pancholi is able to deliver a good performance as Yash, making you truly hate him and his villainous self increasingly throughout the film, while still making you feel somewhat bad for him as he too loved Rani and had her taken away from him. But in the end, I found it hard to root for anyone other than Raja and Rani, which of course is only right.

            

I would classify this film under my guilty pleasure category. It is not a perfect film, but it is decent. Classic 90s romance film and a good one time watch for most people. But because of the combination of beautiful settings, wonderful chemistry and a beautiful struggle for love, I enjoy this film much more than I probably should. Objectively, however, the rating really must be a simple:

Rating: 5/10

Song Of The Week: Tum Ho

Tum Ho
Rockstar

To say that 2011's Rockstar had great music is a sad understatement. It's been a long long time since a film has produced so many quality tracks. From Sadda Haq to Jo Bhi Mein, they all have their meaningful words and different effects on the soul. The most beautiful and moving, however, is Tum Ho. This song I adore with all my being, yet I have to avoid at certain times because it never fails to bring tears to my eyes. This song gives me romantic dreams and makes me wish I was in the most romantic of Bollywood films. It brings many emotions and is a song not to be missed.

Review: Barfi!

Barfi!
Stars: Ranbir Kapoor, Priyanka Chopra, Ileana D'Cruz
Directed by: Anurag Basu
Released: September 13, 2012

Let's get down to business: Murphy, or Barfi (Kapoor) as he calls himself, is a deaf and mute man living in Darjeeling, India. His mother died shortly after his birth and so he depended heavily on his father throughout his life. He is street smart and cunning, but also has a habit of getting into some trouble. When he meets Shruti (D'Cruz) he falls head over heels in love with her beauty and her own charm. She, however, is already engaged (because it wouldn't be an Indian film if that wasn't the case, right?). Despite this fact, they become fast friends and spend their days getting into silly antics. Shruti enjoys being alive and carefree and Barfi enjoys making her happy and having her around. However, her engagement does not go away and therefore causes some issues for the two. In the middle of all this, we meet the young, sweet Autistic Jhilmil (Chopra). She is ostracized by most of her family, but have friends in her teachers, her nanny and her grandfather. Unfortunate events in both her and Barfi's lives cause them to cross paths, and create yet another eye-opening friendship.

Barfi was perhaps the most loved film of the year. It has comedy, romance, mystery and sadness. All enough to keep you happy and interested. The acting is top notch. Ileana - who has this credited as being her debut even though it is far from it - is gorgeous and holds her own next to Chopra and Kapoor. Priyanka impresses with her ability to play the Autistic but still lovable Jhilmil and Ranbir - of course - steals the show from the both of them. I often argue whether or not his contemporary Imran Khan is better and while Imran wins in most aspects in my opinion, Ranbir takes the cake in the acting arena. He cannot be beat when it comes to these roles. He amazed me when I watched Rockstar earlier this year and reinforced it with Barfi.

The music is another win with this film, Ala Barfi and Aashiyan being my two personal favorites although Main Kya Karoon is also a pure and epic win. However, like all good things, there is a fatal flaw and in Barfi, this flaw is their borrowed scenes. One that stuck out to me the most was when Shruti's mother drives her out to see her first love - the man she turned down to marry Shruti's father. It was taken right out of the Hollywood blockbuster The Notebook. Because of that and other stolen scenes, my rating was lessened. However, one cannot take away the mark this film leaves on your heart.

The biggest proof of this is what I just witnessed. I rented the film and had my brothers and sister watch it without subtitles. They are no strangers to Indian films as they have seen My Name Is Khan and parts of Devdas, but both of those were with subtitles to help them along. Even without this help, they were able to see the purity and sweetness that is Barfi and were even able to understand it. All four of them said that they loved the film when it was over and begged to watch it a second time. This was amazing to me as they often make fun of me for my interest in Indian films and music. "Why would you watch something or listen to something that you don't understand?" And now they see why.

I highly recommend this film. It's somewhat artsy and unconventional as far as Bollywood films go, but I think  it is one of the best I have ever seen. It's a shame the Academy Awards didn't see that as well.

Rating: 9/10

Song Of The Week: Disco Deewane

Disco Deewane
Student Of The Year

Because it is New Years Eve, which is a time for celebration, I've decided that this week's song should be one that inspires dance and happiness. While it may not be everyone's cup of tea, this song makes me happy everytime I hear it on my iPod, and I'm hoping it does the same for you. With a bumping beat and the revival of one of the India's most beautiful voices (Nazia Hassan), this is a treat to be tasted at the very least. It's also special in my heart because in the full video version, I get to see my very favorite actress Kajol dancing and stealing the spotlight. Enjoy this and have a very happy New Year!

No One Killed Jessica

No One Killed Jessica

Stars: Rani Mukherjee, Vidya Balan

Directed by: Rajkumar Gupta

Released: January 7, 2011

No One Killed Jessica was a film that I was greatly anticipating. I had heard of Jessica Lal’s murder long before I sat down to watch the film and was touched – and of course saddened – by her story. The trailer was top notch and promised meaningful quotes, powerful scenes and tears. Well, that isn’t exactly what happened.

On a late night in 1999, bar maid and aspiring model and actress Jessica Lal refuses to give a rowdy man a drink after she and her fellow bar tender have quite serving alcohol for the night. She swears that she will not give it to him, not even for 1000 rupees. Angry, the man pulls out a gun and shoots her dead on the spot. Jessica’s older sister Sabrina (Balan) is heartbroken, but is assured that there will be justice for her bubbly baby sis. There were over 300 people at the party, many of them witnesses to the crime itself. It seems like it would be an easy, open and shut case right? Wrong.

The key witness, Jessica’s bar tender friend, saw what happened first hand but eventually proves not to be very helpful in the prosecutions’ case. Sabrina is outraged when she finds out that the killer is the son of a powerful man in India, and that her sister’s murderer is getting away from justice because of the power of bribing. She does her best to fight for her sister – she talks to witnesses, spreads the word, but none of them prove to be fruitful. She and her family begin to fall apart under the pressure of their grief and their mission for justice.

Meera (Mukherjee), is a news reporter full of attitude. Don’t cross her, don’t make her angry – or you’ll pay. When she first hears of the story, she doesn’t think twice. As everyone else assumed, she thought it would be an open and shut murder case, hardly worth her time. But when she catches wind of how the trial was a bust, she becomes more interested in this case. With her help, she is able to shine light on the error of the courts and give Sabrina the relief and peace she had wanted for so long.

Despite the amazing trailer that I mentioned earlier, the film really lacked luster. It wasn’t as fast passed and meaningful as I had imagined and I soon found myself sticking with it for the entire time for Jessica’s memory and Rani’s performance. Rani, despite being shown to be second banana to Vidya, was the heart and soul of this film. She was playing a character that was different from any other avatar I’ve seen of hers before, and she was perfect at it. I now want her to be a brash bitch in more movies. Perhaps because this mirrors my personality in some ways, or at least the person I wish I could be, but for me, she was the true hero of the story. Vidya was a grey mouse, through and through. I went to this movie wanting to see how she was as an actress because at this time I was not her fan. This movie proved to me that I hated her (thankfully that would change when I watched Parineeta). She had nothing to do and when she did, it was awkward and boring.

No One Killed Jessica was easy enough to get through, but I think I would have liked it better had I not had such high expectations for a ground shaking, mind changing film. If you decide to skip the film, please at least take a look at Dilli, the fantastic song that was really responsible for the heart racing excitement of the trailer and promotions.

Rating: 6/10

Films I Didn't Finish: Dil To Pagal Hai

Dil To Pagal Hai

Stars: Shahrukh Khan, Madhuri Dixit, Karisma Kapoor, Akshay Kumar

Directed by: Yash Chopra

Released: October 31, 1997

Dil To Pagal Hai is one of those films that I've been told to watch ever since I first started my journey in Bollywood. The person that urged me the most was my best friend and soul sister Ally (Bollywood-ish) who is Madhuri Dixit's biggest fan as well as the Madhuri/SRK jodi love slave. So when I sat down to watch this film I expected it to be fabulous. The visuals always seemed stunning and in fact - they were. However, I could not get past how dull it was. It moved too slow! I also was not at all enamored by Karisma who was awkward and strange in her role. Madhuri was past the point of having any chance of being bad by the time she made this film, but she looked far too mature for SRK and also, in my opinion, too mature to be playing the girl who skipped around trees and dreamed of teenage love. Which is my interpretation of it anyway. I may someday go back to this film and give it another try, but I wouldn't count on that happening anytime soon.

Time wasted: 52 minutes

Review: Lajja

Lajja
Stars: Manisha Koirala, Jackie Shroff, Anil Kapoor, Mahima Chaudhary, Madhuri Dixit, Rekha, Samir Soni, Ajay Devgan
Directed by: Rajkumar Santoshi
Released: September 19, 2001

Vaidehi (Koirala) runs away from a loveless marriage to Raghu (Shroff) and embarks on a journey that shows her more about life and womanhood than she ever anticipated. Raghu is not exactly the model husband, he's abusive and lecherous. When Vaidehi becomes pregnant, she decides that is enough is enough. As fate would have it, Raghu is involved in a terrible car accident which renders him unable to impregnate a woman. Upon realizing that the child Vaidehi made off with would be the only one he would ever have. This causes him to send his hired men after her to bring her back.

On her way she meets three strong, revolutionary women; starting with Maithili (Chaudhary). Maithili is a bride-to-be from a lovely middle class family. Her troubles stem from her groom's rich and greedy father who demands a large wedding and an even larger dowry; one that Maithili's father cannot afford.

Then there is Janki, my very favorite out of all the women. She is a theatre actress who is unwed and newly pregnant. She is not the submissive mouse that women are so often expected to be, but an outspoken beauty that wants to take control of her life and do what means the most to her. She is in love with a fellow acto and wants nothing more than to be with him.

On her way to her next adventure, she comes across Bulwa (Devgan),a Robin Hood type. He brings her to Ramdulari (Rekha). Her trouble stems from her son's forbidden relationship with the daughter of the head of her village. This struggle and the end result makes for a terrifying scene; one that will leave you shaken and disturbed for a while after you've seen it.

Manisha delivers a fine performance but is completely overshadowed by Madhuri and Rekha. This is my second favorite Madhuri character and performance ever, coming in only after Chandramukhi. It was my first full film with Rekha and Anil as well and I was impressed with both of them. Some of my friends insist that Anil cannot do comedy, but I disagree. Ding dong! Ajay Devgan's character was more or less... well, pointless, but I enjoyed seeing him on screen nonetheless. I believe that Jackie Shroff is one of those actors that cannot be bad and therefore he most definitely didn't disappoint. As for the music, the only song I walked away singing was Badi Muskil, which I still listen to regularly, almost a year after seeing this film.

Now... The movie itself was fantastic in that it showed the true hardships of women in India. Lajja itself means shame and you can see the 'shame' that these Indian women bring upon their family. The thing about this, however, is that the idea of shame is so incredibly backwards. Shame, honor and pride are all so trivial in life and I left this film wishing that the families of these women would have better understood their reasons for what they did instead of going home and crying about how much shame their daughters brought upon them. As for the main character Vaidehi, I was disappointed on her. Woman has husband, leaves husband, leans on thief, leans on bride, leans on actress, leans on Superman, leans on wise village woman, leans on... well, watch the film to discover that one. You get the point, though. She never really learned to stand on her own.

Watch this film, please, and the next time you consider putting a woman down, remember that in the end, they are the strong ones and that they are the ones that have the courage to make a needed change.

Rating: 7/10

Here's a bonus that I couldn't resist:

Chalo Manisha, let me show you how to dance to these steps so you can change your opinion on me completely.